4 min read

Kerim's Triptych ❧ Famine, Salt, Ocean

Kerim's Triptych ❧ Famine, Salt, Ocean
Screen-grab from The Deep Sea by Neal Agarwal

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1️⃣ The Persian Famine

A black and white formal portrait photograph shows a middle-aged man wearing a military uniform. He has a neatly groomed mustache and is looking directly at the camera with a serious expression. The subject wears a peaked military cap with decorative braiding around the visor and what appears to be a badge or emblem on the front. His uniform jacket features shoulder boards with rank insignia, collar tabs, and multiple ribbon bars or medal ribbons arranged in rows on the left chest area. The uniform appears to be of a formal military style with buttons visible down the front and various decorative elements typical of high-ranking military dress. The photograph is taken against a dark, plain background, creating a formal portrait composition typical of official military photography. The image quality and style suggests it was taken in the early-to-mid 20th century. (ALT Text by Claude AI)
Major-General Lionel Charles Dunsterville (1865 – 1946), one of the chief architects of the Persian Famine

In the May 19th, 2024 issue of Triptych I shared a BBC podcast about the 1943 Bengal Famine which killed at least three million people. At the time I had not heard of the Persian Famine which lasted from 1917 to 1919. Wikipedia gives the death toll at about two million, but the historian Dr. Mohammad Gholi Majd claims the death toll was five times as large. What really struck me in reading Pat Walsh's blog post on this were all the parallels between the two famines. In both cases the cause of the famine was not natural disaster but the British. In both cases crops were destroyed to keep them out of enemy hands. In both cases ships that could have delivered grains were diverted to military uses. In both cases local funds were withheld from going to famine relief. It is bad enough that such an atrocity should happen once under British rule, but that it should happen twice, in almost exactly the same way leaves me without words.

Walsh's post does not make these comparisons, but is focused on Dr. Majd's book, noting that it was based largely on official records:

In his book Dr Majd provides a documentary account of the famine using sources from American diplomatic dispatches, the reports of American missionaries and contemporary newspaper and eyewitness accounts on the extent of the suffering and starvation. He also uses the memoirs of British military officers such as Maj. General Dunsterville, commanding officer of the British ‘Dunsterforce’ in Persia and Maj. Gen. Dickson, Inspector General of the East Persia cordon during 1918-19.

Later he notes that Dr. Majd had "had great difficulty in getting his book published" in the US, while "documents from the British War Office relating to the occupation and famine are still being withheld from scholars by today’s Government in Westminster." This history needs to be more widely known and understood.

2️⃣ Salt and Paper

A hand-drawn diagram on dark blue paper using white ink or chalk shows a mind map or flow chart format. At the center is a circle containing the text "house in Jerusalem" with multiple lines radiating outward to various labels and phrases.   The text elements branching from the center include: "in Ramallah or Bethlehem" (upper left), "Kufr aqab" (upper right), "anata Shuafat" (left side), "Beit Jala" (left), "Mordadella not expired in the fridge" (left), "work in Jerusalem" (lower left), along with "ID card," "insurance," and "housing/taxes" clustered on the bottom left. On the right side are phrases like "keep dirty underwear on the floor," "keep an open milk carton in use dishwasher expired," and "keep dirty dishes in the sink not dry." At the bottom are additional phrases including "the plants are alive" and "where you live."  The diagram is drawn on what appears to be a beige or cream-colored surface with faint text or writing visible in the background. The overall layout resembles a spider diagram or mind map with the central concept connected to various related items through straight lines.  (ALT Text by Claude AI)
"Khalili’s artwork includes details drawn from Palestinian Jerusalemites’ everyday lives navigating Israeli bureaucracy." - Artwork by Yazan Khalili; photo by Madara Gritāne

In the October 6th, 2024 issue of Triptych I shared Nathan Thrall's award-winning book, A Day in the Life of Abed Salama: Anatomy of a Jerusalem Tragedy commenting that

What I found especially powerful about the book was how ethnographic it was. In telling the stories of people's ordinary lives he lays bare the workings of the Apartheid state.

The anthropology blog, Sapiens (which is unfortunately going to shut down), has another such ethnographic account. CUNY graduate student Thayer Hastings interviews Palestinian visual artist Yazan Khalili about the "quieter, bureaucratic means to displace and dispossess Palestinians living in East Jerusalem" which preceded the current genocide in Gaza.

One day, a pair of inspectors arrives at their door. On this occasion, one of the first questions they ask is: “Where do you keep the salt and spices?”

. . . if Palestinians from Jerusalem (Jerusalemites) fail to provide sufficient evidence that they live in the city, authorities may revoke their residency status—threatening their access to Jerusalem and their homeland, Palestine, altogether.

He notes that

despite being Indigenous to Palestine and the city, Palestinian Jerusalemites are not citizens. . . Israel unilaterally declared sovereignty over East Jerusalem and formalized it through annexation in 1980.
Starting in 1995, Israel formalized this policy and began implementing new regulations and administrative tactics to revoke residencies of Palestinians in Jerusalem en masse. This “quiet deportation” policy has resulted in over 14,000 displaced from the city and Palestine in general.

Once their residence is revoked they are also removed from the population registry, no longer able to return.

To attempt to avoid displacement, many Palestinians in the city produce paper trails of their everyday lives as they conduct them in Jerusalem. During my fieldwork, people told me they maintain files of rental contracts and utility bills, a GPS log to confirm where they sleep at night, and even ephemera like grocery receipts and school projects. On multiple visits with families in Jerusalem, parents told me about how inspectors checked the date of their children’s homework. The implication was that if the date was not current enough, it could count against them.

3️⃣ Ocean Depths

An underwater scene illustration displays various marine animals against a blue ocean background. The image shows multiple sea creatures positioned at different levels, each labeled with white text identifying the species.  In the upper portion, there is a "SPINY DOGFISH" (a gray shark-like fish) on the left, a "LEAFY SEA DRAGON" (an orange, ornate creature with leaf-like appendages) on the upper right, and a "MAHI-MAHI" (a bright green and yellow fish) in the center-top area. The middle section features a "FLOUNDER" (a brown spotted flatfish) on the left, a white "BELUGA WHALE" in the center, a small "SPOTTED BASS" on the right, and a round, spiky "BARNACLE" nearby. The lower portion shows a "BLUE FISH" on the left and a "GREAT BARRACUDA" (an elongated silver fish with spots) on the right.  At the center-bottom of the image, large white text reads "92 METERS DEEP." Small white dots are scattered throughout the blue background, suggesting bubbles or marine particles. The blue background gradually becomes slightly darker toward the bottom, creating a sense of ocean depth.  (ALT Text by Claude AI)

On a lighter note, I really loved the interactive website The Deep Sea, by Neal Agarwal. You just keep scrolling and scrolling down and it shows you what sea life you will find at that depth, as well as some human artifacts.

Endnote

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